• If you are trying to reset your account password then don't forget to check spam folder in your mailbox. Also Mark it as "not spam" or you won't be able to click on the link.

Horror Horror Tales

Indian Princess

The BDSM Queen
Staff member
Moderator
9,545
9,308
189
Wow that was too good :adore:

So classy and perfect, this is professional grade writing. :superb:

I've never enjoyed a short story so much. I would love to read more from you. Not just horror but all genres. The horror described so perfectly along with the games our mind can play. :applause:

This reminded me of a very talented member on XP with ID psychoknight who was an English writer and exclusive poster. He wrote excellent short stories too.
 

lone_hunterr

Titanus Ghidorah
3,829
5,442
159
Wow that was too good :adore:

So classy and perfect, this is professional grade writing. :superb:

I've never enjoyed a short story so much. I would love to read more from you. Not just horror but all genres. The horror described so perfectly along with the games our mind can play. :applause:

This reminded me of a very talented member on XP with ID psychoknight who was an English writer and exclusive poster. He wrote excellent short stories too.
I am glad that you liked that story..... After Bath tub Next I am planning to write on camera... Cameras really catch some spooky things :blush1:
 

Ristrcted

Now I am become Death, the destroyer of worlds
Staff member
Moderator
38,998
34,990
304
BATH TUB

She didn’t like the bathtub from the start.

Isabel was at home the Saturday they delivered it and wondered how the fat, metal beast was ever going to make it up one flight of stairs, around the corner, and into the bathroom. The two scrawny workmen didn’t seem to have much idea either. Thirty minutes, four gashed knuckles, and a hundred swearwords later, it seemed to be hopelessly wedged, and it was only when Isabel’s father lent a hand that they were able to free it. But then one of the stubby legs caught the wallpaper and tore it and that led to another argument right in front of the workmen, her mother and father blaming each other like they always did.
“I told you to measure it.”
“I did measure it.”
“Yes. But you said the legs came off.”
“No. That’s what you said.”
Jeremy and Susan Martin (Isabel's Parent) had bought their small, turn-of-the-century house in Muswell Hill, North London, they had devoted their holidays to getting it just right. And since they were both teachers—he at a private school, she in a local elementary— their holidays were frequent and long.
The bathtub was Victorian. Isabel had not been with her parents when they bought it—at an antiques shop in West London.
“End of the last century,” the dealer had told them. “A real beauty. It’s still got its own taps . . .”
It certainly didn’t look beautiful as it squatted there on the stripped-pine floor, surrounded by stops and washers and twisting lengths of pipe. It reminded Isabel of a pregnant cow, its great white belly hanging only inches off the ground. Its metal feet curved outward, splayed, as if unable to bear the weight. And, of course, it had been decapitated. There was a single round hole where the taps would be and beneath it an ugly yellow stain in the white enamel where the water had trickled down for perhaps a hundred years, on its way to the plug hole below. Isabel glanced at the taps, lying next to the sink, a tangle of mottled brass that looked too big for the tub they were meant to sit on. There were two handles, marked hot and cold on faded ivory discs. Isabel imagined the water thundering in. It would need to. The bathtub was very deep.
But nobody used the bathtub that night. Jeremy had said he would be able to connect it up himself, but in the end he had found it was beyond him. Nothing fit. It would have to be soldered. Unfortunately he wouldn’t be able to get a plumber until Monday, and of course it would add another forty dollars to the bill, and when he told Susan, that led to another argument.
They ate their dinner in front of the television that night, letting the shallow laughter of a sitcom cover the chill silence in the room. And then it was nine o’clock. “You’d better go to bed early, darling. college tomorrow,” Susan said. “Yes, Mom.” Isabel was 19, but her mother sometimes treated her as if she were much younger. May be because she was an elementary school teacher.
Isabel undressed and washed quickly—hands, face, neck, teeth, in that order. The face that gazed out at her from the gilded mirror above the sink wasn’t an unattractive one, she thought, except for the annoying pimple on her nose . . . a punishment for the Mars Bar ice cream she’d eaten the day before. Long brown hair and blue eyes (her mother’s), a thin face with narrow cheek-bones and chin (her father ’s). She had been fat until she was nine, but now she was getting herself in shape. She’d never be a supermodel. She was too fond of ice cream for that. But no fatty either.
The shape of the tub, over her shoulder, caught her eye and she realized suddenly that from the moment she had come into the bathroom she had been trying to avoid looking at it. Why? She put her toothbrush down, turned around, and examined it. She didn’t like it. Her first impression had been right. It was so big and ugly with its dull enamel and dribbling stain over the plug hole. And it seemed—it was a stupid thought, but now that it was there she couldn’t make it go away—it seemed to be waiting for her. She half smiled at her own foolishness. And then she noticed something else.
There was a small puddle of water in the bottom of the bathtub. As she moved her head, it caught the light and she saw it clearly. Isabel’s first thought was to look up at the ceiling. There had to be a leak, somewhere upstairs, in the attic. How else could water have gotten into a bath whose taps were lying on their side next to the sink? But there was no leak. Isabel leaned forward and ran her third finger along the bottom of the tub. The water was warm.
I must have splashed it in there myself, she thought. As I was washing my face . . .
She flicked the light off and left the room, crossing the landing to her bedroom on the other side of her parents’. Somewhere in her mind she knew that it wasn’t true, that she could never have splashed water from the sink into the bathtub. But it wasn’t an important question. In fact, it was ridiculous. She curled up in bed and closed her eyes. But an hour later her thumb was still rubbing circles against her third finger and it was a long, long time before she slept.
-----------
-----------
“Bath night!” her father said when she got home from school the next day. He was in a good mood, smiling broadly as he shuffled together the ingredients for that night’s dinner.
“So you got it plumbed in, then?”
“Yes.” He looked up. “It cost fifty dollars—don’t tell your mother. The plumber was here for two hours.”
She reached out and squeezed his arm. “That’s great, Dad,” she said. “I’ll have a bath after dinner. What are you making?”
“Lasagne. Your mom’s gone out to get some wine.”
It was a pleasant evening. Isabel had gotten a part in her school play— Lady Montague in Romeo and Juliet. Susan had found a ten-dollar bill in the pocket of a jacket she hadn’t worn for years. Jeremy had been asked to take a group of boys to Paris at the end of the term. Good news oiled the machinery of the family and for once everything turned smoothly. After dinner, Isabel did half an hour’s homework, then kissed her parents good night and went upstairs. To the bathroom.
The bath was ready now. Installed. Permanent. The taps with the black hot and cold protruded over the rim with the curve of a vulture’s neck. A silver plug on a heavy chain slanted into the plug hole. Her father had polished the brass work, giving it a new gleam. He had put the towels back on the rail and a green bath mat on the floor. Everything back to normal. And yet the room, the towels, the bath mat, seemed to have shrunk. The tub was too big. And it was waiting for her. She still couldn’t get the thought out of her mind.
“Isabel. Stop being silly . . . !”
What’s the first sign of madness? Talking to yourself. And the second sign? Answering back. Isabel let out a great sigh of breath and went over to the bathtub. She leaned in and pushed the plug into the hole. Downstairs, she could hear the television: World in Action, one of her father’s favorite programs. She reached out and turned on the hot tap, the metal squeaking slightly under her hand. Without pausing, she gave the cold tap a quarter turn. Now let’s see if that plumber was worth his fifty bucks.
For a moment, nothing happened. Then, deep down underneath the floor, something rumbled. There was a rattling in the pipe that grew louder and louder as it rose up, but still no water. Then the tap coughed, the cough of an old man, of a heavy smoker. A bubble of something like saliva appeared at its lips. It coughed again and spat it out. Isabel looked down in dismay. Whatever had been spat into the bathtub was an ugly red, the color of rust. The taps spluttered again and coughed out more of the thick, treacly stuff. It bounced off the bottom of the bath and splattered against the sides. Isabel was beginning to feel sick, and before the taps could deliver a third load of—whatever it was—into the tub, she seized hold of them and locked them both shut. She could feel the pipes rattling beneath her hands, but then it was done. The shuddering stopped. The rest of the liquid was swallowed back into the network of pipes.
But still it wasn’t over. The bottom of the bath was coated with the liquid. It slid unwillingly toward the plug hole, which swallowed it greedily. Isabel looked more closely. Was she going mad or was there something inside the plug hole? Isabel was sure she had the plug in, but now it was half in and half out of the hole and she could see below. There was something. It was like a white ball, turning slowly, collapsing in on itself, glistening wet and alive. And it was rising, making for the surface . . .
Isabel cried out. At the same time she leaned over and jammed the plug back into the hole. Her hand touched the red liquid and she recoiled, feeling it, warm and clinging, against her skin. And that was enough. She reeled back, yanked a towel off the rail, and rubbed it against her hand so hard that it hurt. Then she threw open the bathroom door and ran downstairs.
Her parents were still watching television.
“What’s the matter with you?” Jeremy asked.
Isabel explained what had happened, the words tumbling over one another in their hurry to get out, but it was as if her father wasn’t listening.
“There’s always a bit of rust with a new bath,” he went on. “It’s in the pipes. Run the water for a few minutes and it’ll go.”
“It wasn’t rust,” Isabel said.
“Maybe the boiler’s acting up again,” Susan muttered.
“It’s not the boiler.” Jeremy frowned. He had bought it secondhand and it had always been a sore point—particularly when it broke down.
“It was horrible,” Isabel insisted. “It was like . . .” What had it been like?
Of course, she had known all along. “Well, it was like blood. It was just like blood. And there was something else. Inside the plug.”
“Oh, for heaven’s sake!” Jeremy was irritated now, missing his program.
“Come on! I’ll come up with you . . .” Susan pushed a pile of Sunday newspapers off the sofa—she was still reading them even though this was Monday evening—and got to her feet.
“Where’s the TV control?” Jeremy found it in the corner of his armchair and turned the volume up. Isabel and her mother went upstairs, back into the bathroom. Isabel looked at the towel lying crumpled where she had left it. A white towel. She had wiped her hands on it. She was surprised to see there was no trace of a stain.
“What a lot of fuss over a teaspoon of rust!” Susan was leaning over the bath. Isabel stepped forward and peered in nervously. But it was true. There was a shallow puddle of water in the middle and a few grains of reddish rust.
“You know there’s always a little rust in the system,” her mother went on. “It’s that stupid boiler of your father ’s.” She pulled out the plug.
“Nothing in there either!” Finally, she turned on the tap. Clean, ordinary water gushed out in a reassuring torrent. No rattling. No gurgles. Nothing.
“There you are. It’s sorted itself out.”
Isabel hung back, leaning miserably against the sink. Her mother sighed.
“You were making it all up, weren’t you?” she said—but her voice was affectionate, not angry.
“No, Mom.”
“It seems a long way to go to get out of having a bath.”
“I wasn’t . . . !”
“Never mind, now. Brush your teeth and go to bed.” Susan kissed her.
“Good night, dear. Sleep well.” But that night Isabel didn’t sleep at all.

______
______

That was three days in a row, Isabel doesn't bath at all and she was beginning to feel more than uncomfortable. She liked to be
clean. That was her nature, and as much as she tried washing herself using the sink, it wasn’t the same. And it didn’t help that her father had used the bath on Tuesday morning and her mother on Tuesday and Wednesday, and neither of them had noticed anything wrong. It just made her feel more guilty—and dirtier.
Then on Thursday morning someone made a joke at school—something about rotten eggs—and as her cheeks burned, Isabel decided enough was enough. What was she so afraid of anyway? A sprinkling of rust that her imagination had turned into . . . something else. Susan Martin was out that evening—she was at her Italian evening class—so Isabel and her father sat down together to eat the crab cakes of her mom, which hadn’t quite worked because they had all fallen to pieces in the pan.
At nine o’clock they went their separate ways—he to the news, she
upstairs.
“Good night, Dad.”
“Good night, Is.”
It had been a nice, companionable evening. And there was the bath, waiting for her. Yes. It was waiting, as if to receive her. But this time Isabel didn’t hesitate. If she was as brisk and as businesslike as possible, she had decided, then nothing would happen. She simply wouldn’t give her imagination time to play tricks on her. So without even thinking about it, she slipped the plug into the hole, turned on the taps, and added a squirt of Body Shop avocado bubble bath for good measure. She undressed (her clothes were a useful mask, stopping her from seeing the water as it filled) and only when she was quite naked did she turn around and look at the bath. It was fine. She could just see the water, pale green beneath a thick layer of foam. She stretched out her hand and felt the temperature. It was perfect: hot enough to steam up the mirror but not so hot as to scald. She turned off the taps. They dripped as loudly as she remembered. Then she went over to lock the door.
Yet still she hesitated. She was suddenly aware of her nakedness. It was as if she were in a room full of people. She shivered. You’re being ridiculous, she told herself. But the question hung in the air along with the steam from the water. It was like a nasty, unfunny riddle.
When are you at your most defenseless?
When you’re naked, enclosed, lying on your back . . .
. . . in the bath.
“Ridiculous.” This time she actually said the word. And in one swift movement, a no-going-back decision, she got in.
The bath had tricked her—but she knew it too late.
The water was not hot. It wasn’t even warm. She had tested the temperature moments before. She had seen the steam rising. But the water was colder than anything Isabel had ever felt. It was like breaking through the ice on a pond on a midwinter ’s day. As she sank helplessly into the bath, felt the water slide over her legs and stomach, close in on her throat like a clamp, her breath was punched back and her heart seemed to stop in mid beat. The cold hurt her. It cut into her. Isabel opened her mouth and screamed as loudly as she could. The sound was nothing more than a choked-off whimper.
Isabel was being pulled under the water. Her neck hit the rim of the bath and slid down. Her long hair floated away from her. The foam slid over her mouth, then over her nose. She tried to move, but her arms and legs wouldn’t obey the signals she sent them. Her bones had frozen. The room seemed to be getting dark.
But then, with one final effort, Isabel twisted around and threw herself
up, over the edge. Water exploded everywhere, splashing onto the floor.
Then somehow she was lying down with foam all around her, sobbing and
shivering, her skin completely white. She reached out and caught the corner
of a towel, pulled it over her. Water trickled off her back and disappeared
through the cracks in the floorboards.
Isabel lay like that for a long time. She had been scared . . . scared almost to death. But it wasn’t just the change in the temperature of the water that had done it. It wasn’t just the bath—as ugly and menacing as it was. No. It was the sound she had heard as she heaved herself out and jackknifed onto the floor. She had heard it inches away from her ear, in the bathroom, even though she was alone.
Somebody had laughed.

______
______

“You don’t believe me, do you?”
Isabel was standing at the bus stop with Belinda Price; fat, reliable Belinda, always there when you needed her, her best friend. A week had passed and all the time it had built up inside her, what had happened in the bathroom, the story of the bath. But still Isabel had kept it to herself. Why? Because she was afraid of being laughed at? Because she was afraid no one would believe her? Because, simply, she was afraid. In that week she had done no work . . . at school or at home. She had been told off twice in class. Her clothes and her hair were in a state. Her eyes were dark with lack of sleep. But in the end she couldn’t hold it back anymore. She had told Belinda.
And now the other girl shrugged. “I’ve heard of haunted houses,” she muttered. “And haunted castles. I’ve even heard of a haunted car. But a haunted bath . . . ?”
“It happened, just like I said.”
“Maybe you think it happened. If you think something hard enough, it can often—”
“It wasn’t my imagination,” Isabel interrupted.
Then the bus came and the two girls got on, showing their passes to the driver. They took their seats on the top deck, near the back. They always sat in the same place without quite knowing why.
“You can’t keep coming over to my place,” Belinda said. “I’m sorry, Isabel, but my mom’s beginning to ask what’s going on.”
“I know.” Isabel sighed. She had managed to go over to Belinda’s house three nights running and had showered there, grateful for the hot, rushing water. She had told her parents that she and Belinda were working on a project. But Belinda was right. It couldn’t go on forever.
The bus reached the traffic light and turned onto the main road. Belinda screwed up her face, deep in thought. All the teachers said how clever she was, not just because she worked hard but because she let you see it. “You say the bath is an old one,” she said at last.
“Yes?”
“Do you know where your parents got it?”
Isabel thought back. “Yes. I wasn’t with them when they bought it, but it came from a place in Fulham. I’ve been there with them before.”
“Then why don’t you go and ask them about it? I mean, if it is haunted there must be a reason. There’s always a reason, isn’t there?”
“You mean . . . someone might have died in it or something?” The thought made Isabel shiver.
“Yes. My gran had a heart attack in the bath. It didn’t kill her, though—”
“You’re right!” The bus was climbing the hill now. Muswell Hill Broadway was straight ahead. Isabel gathered her things. “I could go there on Saturday. Will you come, too?”
“My mom and dad wouldn’t let me.”
“You can tell them you’re at my place. And I’ll tell my parents I’m at yours.”
“What if they check?”
“They never do.” The thought made Isabel sad. Her parents never did wonder where she was, never seemed to worry about her. They were too wrapped up in themselves.
“Well . . . I don’t know . . .”
“Please, Belinda. On Saturday. I’ll give you a call.”

That night the tub played its worst trick yet.
Isabel hadn’t wanted to have a bath. During dinner she’d made a point of telling her parents how tired she was, how she was looking forward to an early night. But her parents were tired, too. The atmosphere around the table had been distinctly jagged and Isabel found herself wondering just how much longer the family could stay together. Divorce. It was a horrible word, like an illness. Some of her friends had been out of school for a week and then come back pale and miserable and had never been quite the same again. They’d caught it . . . divorce.

“Upstairs, young lady!” Her mother’s voice broke into her thoughts. “I think you’d better have a bath . . .”
“Not tonight, Mom.”
“Tonight. You’ve hardly used that bath since it was installed. What’s the matter with you? Don’t you like it?”
“No. I don’t . . .”
That made her father twitch with annoyance. “What’s wrong with it?” he asked, sulking. But before she could answer, her mother chipped in. “It doesn’t matter what’s wrong with it. It’s the only bath we’ve got, so you’re just going to have to get used to it.”
“I won’t!”
Her parents looked at each other, momentarily helpless. Isabel realized that she had never defied them before—not like this. They were thrown. But then her mother stood up. “Come on, Isabel,” she said. “I’ve had enough of this stupidity. I’ll come with you.”
And so the two of them went upstairs, Susan with that pinched, set look that meant she couldn’t be argued with. But Isabel didn’t argue with her. If her mother ran the bath, she would see for herself what was happening. She would see that something was wrong . . .
“Right . . .” Susan pushed the plug in and turned on the taps. Ordinary clear water gushed out. “I really don’t understand you, Isabel,” she exclaimed over the roar of the water. “Maybe you’ve been staying up too late. I thought it was only six-year-old who didn’t like having baths. There!” The bath was full. Susan tested the water, swirling it around with the tips of her fingers. “Not too hot. Now let’s see you get in.”
“Mom . . .”
“You’re not shy in front of me, are you? For heaven’s sake . . . !”
Angry and humiliated, Isabel undressed in front of her mother, letting the clothes fall in a heap on the floor. Susan scooped them up but said nothing. Isabel hooked one leg over the edge of the bath and let her toes come into contact with the water. It was hot—but not scalding. Certainly not icy cold.
“Is it all right?” her mother asked.
“Yes, Mom . . .”
Isabel got into the bath. The water rose hungrily to greet her. She could feel it close in a perfect circle around her neck. Her mother stood there a moment longer, holding her clothes. “Can I leave you now?” she asked.
“Yes.” Isabel didn’t want to be alone in the bathroom, but she felt uncomfortable lying there with her mother hovering over her.
“Good.” Susan softened for a moment. “I’ll come and kiss you good
night.” She held the clothes up and wrinkled her nose. “These had better go
in the wash, too.”
Susan went.
Isabel lay there on her own in the hot water, trying to relax. But there was a knot in her stomach and her whole body was rigid, shying away from the cast-iron touch of the bath. She heard her mother going back down the stairs. The door of the laundry room opened. Isabel turned her head slightly and for the first time caught sight of herself in the mirror. And this time she did scream. And screamed.
In the bath, everything was ordinary, just as it was when her mother had left her. Clear water. Her flesh a little pink in the heat. Steam. But in the mirror, in the reflection . . . The bathroom was a slaughterhouse. The liquid in the bath was crimson and Isabel was up to her neck in it. As her hand—her reflected hand— recoiled out of the water, the red liquid clung to it, dripping down heavily, splattering against the side of the bath and clinging there, too. Isabel tried to lever herself out of the bath but slipped and fell, the water rising over her chin. It touched her lips and she screamed again, certain she would be sucked into it and die. She tore her eyes away from the mirror. Now it was just water. In the mirror . . . Blood. She was covered in it, swimming in it. And there was somebody else in the room. Not in the room. In the reflection of the room. A man, tall, in his forties, dressed in some sort of suit, gray face, mustache, small, beady eyes.
“Go away!” Isabel yelled. “Go away! Go away!”
When her mother found her, curled up on the floor in a huge puddle of water, naked and trembling, Isabel didn’t try to explain. She didn’t even speak. She allowed herself to be half carried into bed and hid herself, like a small child, under the duvet.
For the first time, Susan Martin was more worried than annoyed. That night, she sat down with Jeremy and the two of them were closer than they had been for a long time as they talked about their daughter, her behavior, the need perhaps for some sort of therapy. But they didn’t talk about the bath—and why should they? When Susan had burst into the bathroom she had seen nothing wrong with the water, nothing wrong with the mirror, nothing wrong with the bath. No, they both agreed. There was something wrong with Isabel. It had nothing to do with the bath.
The antiques shop stood on the Fulham Road, a few minutes’ walk from the subway station. From the front it looked like a grand house that might have belonged to a rich family perhaps a hundred years ago: tall imposing doors, shuttered windows, white stone columns, and great chunks of statuary scattered on the pavement outside. But over the years the house had declined, the plaster work falling away, weeds sprouting in the brickwork. The windows were dark with the dust of city life and car exhaust fumes. Inside, the rooms were small and dark—each one filled with too much furniture. Isabel and Belinda passed through a room with fourteen fireplaces, another with half a dozen dinner tables and a crowd of empty chairs. If they hadn’t known all these objects were for sale, they could have imagined that the place was still occupied by a rich madman. It was still more of a house than a shop. When the two girls spoke to each other, they did so in whispers.
They eventually found a sales assistant in a courtyard at the back of the house. This was a large, open area, filled with baths and basins, more statues, stone fountains, wrought-iron gates, and trellis work—all surrounded by a series of concrete arches that made them feel that they could have been in Rome or Venice rather than a shabby corner of West London. The assistant was a young man with a squint and a broken nose. He was carrying a gargoyle. Isabel wasn’t sure which of the two were uglier.
“A Victorian bath?” he muttered in response to Isabel’s inquiry. “I don’t think I can help you. We sell a lot of old baths.”
“It’s big and white,” Isabel said. “With little legs and gold taps . . .”
The sales assistant set the gargoyle down. It clunked heavily against a paving stone. “Do you have the receipt?” he asked.
“No.”
“Well . . . what did you say your parents’ name was?”
“Martin. Jeremy and Susan Martin.”
“Doesn’t ring a bell . . .”
“They argue a lot. They probably argued about the price.”
A slow smile spread across the assistant’s face. Because of the way his face twisted, the smile was oddly menacing. “Yeah. I do remember,” he said. “It was delivered somewhere in North London.”
“Muswell Hill,” Isabel said.
“That’s right.” The smile cut its way over his cheek-bones. “I do remember. They got the Marlin bath.”
“What’s the Marlin bath?” Belinda asked. She already didn’t like the sound of it.
The sales assistant chuckled to himself. He pulled out a packet of ten cigarettes and lit one. It seemed a long time before he spoke again. “Jacob Marlin. It was his bath. I don’t suppose you’ve ever heard of him.”
“No,” Isabel said, wishing he’d get to the point.
“He was famous in his time.” The assistant blew silvery gray smoke into the air. “Before they hanged him.”
“Why did they hang him?” Isabel asked.
“For murder. He was one of the those—what do you call them?— Victorian axe murderers. Oh, yes . . .” The sales assistant was grinning from ear to ear now, enjoying himself. “He used to take young ladies home with him—a bit like Jack the Ripper. Know what I mean? Marlin would do away with them . . .”
“You mean kill them?” Belinda whispered.
“That’s exactly what I mean. He’d kill them and then chop them up with an axe. In the bath.” The assistant sucked at his cigarette. “I’m not saying he did it in that bath, mind. But it came out of his house. That’s why it was so cheap. I daresay it would have been cheaper still if your mom and dad had known . . .”
Isabel turned and walked out of the antiques shop. Belinda followed her. Suddenly the place seemed horrible and menacing, as if every object on display might have some dreadful story attached to it. Only in the street, surrounded by the noise and color of the traffic, did they stop and speak.
“It’s horrible!” Belinda gasped. “He cut people up in the bath and you . . .” She couldn’t finish the sentence.
“I wish I hadn’t come.” Isabel was close to tears. “I wish they’d never bought the rotten thing.”
“If you tell them—”
“They won’t listen to me. They never listen to me.”
“So what are you going to do?” Belinda asked.
Isabel thought for a moment. People rushed past on the pavement. Market vendors shouted their wares. A pair of policemen stopped briefly to examine some apples. It was a different world from the one they had left behind in the antiques shop. “I’m going to destroy it,” she said at last. “It’s the only way. I’m going to break it up. And my parents can do whatever they like . . .”

She chose a monkey wrench from her father ’s toolbox. It was big and she could use it both to smash and to unscrew. Neither of her parents was at home. They thought she was over at Belinda’s. That was good. By the time they got back, it would all be over.

There was something very comforting about the tool, the coldness of the steel against her palm, the way it weighed so heavily in her hand. Slowly she climbed the stairs, already imagining what she had to do. Would the monkey wrench be strong enough to crack the tub? Or would she only disfigure it so badly that her parents would have to get rid of it? It didn’t matter either way. She was doing the right thing. That was all she cared about.
The bathroom door was open. She was sure it had been shut when she had glanced upstairs only minutes before. But that didn’t matter either. Swinging the monkey wrench, she went into the bathroom.
The bath was ready for her.

It had filled itself to the very brim with hot water—scalding hot judging from the amount of steam. The mirror was completely misted over. A cool breeze from the door touched the surface of the glass and water trickled down. Isabel lifted the monkey wrench. She was smiling a little cruelly. The one thing the bath couldn’t do was move. It could taunt her and frighten her, but now it just had to sit there and take what was coming to it. She reached out with the monkey wrench and jerked out the plug. But the water didn’t leave the bath. Instead, something thick and red oozed out of the plug hole and floated up through the water.
Blood.
And with the blood came maggots—hundreds of them, uncoiling themselves from the plug hole, forcing themselves up through the grille and cartwheeling crazily in the water. Isabel stared in horror, then raised the monkey wrench. The water, with the blood added to it, was sheeting over the side now, cascading onto the floor. She swung and felt her whole body shake as the metal clanged into the taps, smashing the C of cold and jolting the pipes.
She lifted the monkey wrench, and as she did so she caught sight of it in the mirror. The reflection was blurred by the coating of steam, but behind it she could make out another shape that she knew she would not see in the bathroom. A man was walking toward her as if down a long corridor, making for the glass that covered its end.
Jacob Marlin.
She felt his eyes burning into her and wondered what he would do when he reached the mirror that seemed to be a barrier between his world and hers.
She swung with the monkey wrench—again and again. The tap bent, then broke off with the second impact. Water spurted out as if in a death throe. Now she turned her attention to the bath itself, bringing the monkey wrench crashing into the side, cracking the enamel with one swing, denting the metal with the next. Another glance over her shoulder told her that Marlin was getting closer, pushing his way toward the steam. She could see his teeth, discolored and sharp, his gums exposed as his lips were drawn back in a grin of pure hatred. She swung again and saw—to her disbelief—that she had actually cracked the side of the bath like an eggshell. Red water gushed over her legs and feet. Maggots were sent spinning in a crazy dance across the bathroom floor, sliding into the cracks and wriggling there, helpless. How close was Marlin? Could he pass through the mirror? She lifted the monkey wrench one last time and screamed as a pair of man’s hands fell onto her shoulders. The monkey wrench spun out of her hands and fell into the bath, disappearing in the murky water. The hands were at her throat now, pulling her backward. Isabel screamed and lashed out, her nails going for the man’s eyes.
She only just had time to realize that it was not Marlin who was holding her but her father. That her mother was standing in the doorway, staring with wide, horror-filled eyes. Isabel felt all the strength rush out of her body like the water out of the bath. The water was transparent again, of course. The maggots had gone. Had they ever been there? Did it matter? She began to laugh.
She was still laughing half an hour later when the sound of sirens filled the room and the ambulance arrived.
Jeremy Martin lay in the bath thinking about the events of the past six weeks. It was hard not to think about them—in here, looking at the dents his daughter had made with the monkey wrench. The taps had almost been beyond repair. As it was, they now dripped all the time and the letter C was gone forever. Old water, not cold water.
He had seen Isabel a few days before and she had looked a lot better. She still wasn’t talking, but it would be a long time before that happened, they said. Nobody knew why she had decided to attack the bathtub—except maybe that fat friend of hers and she was too frightened to say. According to the experts, it had all been stress related. A traumatic stress disorder. Of course they had fancy words for it. What they meant was that it was her parents who were to blame. They argued. There was tension in the house. Isabel hadn’t been able to cope and had come up with some sort of fantasy related to the bath.
In other words, it was his fault.
But was it? As he lay in the soft, hot water with the smell of pine bath oil rising up his nostrils, Jeremy Martin thought long and hard. He wasn’t the one who started the arguments. It was always Susan. From the day he married her, she’d insisted on . . . well, changing him. She was always nagging him. They never took him seriously. She never took him seriously. Well, he would show her. Lying back with the steam all around him, Jeremy found himself floating away. It was a wonderful feeling. He would start with Susan. Then there were a couple of boys in his French class. And, of course, the head-master. He knew just what he would do. He had seen it that morning in a junk shop in Hampstead. Victorian, he would have said. Heavy, with a smooth wooden handle and a solid, razor-sharp head.
Yes. He would go out and buy it the following morning. It was just what he needed. A good Victorian axe . . .
:wtf2: Really scary man.

Perfectly written bro.

Since I am afraid like hell I am not going to write much here but truly saying it was a masterpiece for me.

You have just ploted everything so good that I can imagine all that happening .

Write more like this
 

lone_hunterr

Titanus Ghidorah
3,829
5,442
159
:wtf2: Really scary man.

Perfectly written bro.

Since I am afraid like hell I am not going to write much here but truly saying it was a masterpiece for me.

You have just ploted everything so good that I can imagine all that happening .

Write more like this
:thanks: man..... I am writing one on Camera....
Hope you will like that too ?
 
  • Like
Reactions: Rahul

Rahul

Kingkong
60,556
70,669
354
wonderfull hehe
 

Rahul

Kingkong
60,556
70,669
354
waiting next :waiting:
 

lone_hunterr

Titanus Ghidorah
3,829
5,442
159
THE CAMERA

The car-trunk sale took place every Saturday on the edge of Crouch End. There was a patch of empty land there; not a parking lot, not a building site, just a square of rubble and dust that nobody seemed to know what to do with. And then one summer the car-trunk sales had arrived like flies at a picnic and since then there’d been one every week. Not that there was anything very much to buy. Cracked glasses and hideous plates, moldy paperback books by writers you’d never heard of, electric kettles, and bits of hi-fi equipment that looked forty years out of date. Matthew King decided to go in only because it was free. He’d visited the car-trunk sale before and the only thing he’d come away with was a cold. But this was a warm Saturday afternoon. He had plenty of time. And, anyway, it was there. But it was the same old trash. He certainly wasn’t going to find his father a fiftieth birthday present here, not unless the old man had a sudden yearning for a five-hundred-piece Snow White jigsaw puzzle (missing one piece) or an electric coffeemaker (only slightly cracked) or perhaps a knitted cardigan in an unusual shade of pink (aaaagh!). Matthew sighed. There were times when he hated living in London and this was one of them. It was only after his own birthday, his fourteenth, that his parents had finally agreed to let him go out on his own. And it was only then that he realized he didn’t really have anywhere to go. Crummy Crouch End with its even crummier car-trunk sale. Was this any place for a smart, good-looking teenager on a summer afternoon?

He was about to leave when a car pulled in and parked in the farthest corner. At first he thought it must be a mistake. Most of the cars at the sale were old and rusty, as worn-out as the stuff they were selling. But this was a red Volkswagen, L-registration, bright red and shiny clean. As Matthew watched, a smartly dressed man stepped out, opened the trunk, and stood there, looking awkward and ill at ease, as if he were unsure what to do next. Matthew strolled over to him.

He would always remember the contents of the trunk. It was strange. He had a bad memory. There was a show on TV where you had to remember all the prizes that came out on a conveyor belt and he’d never been able to manage more than two or three, but this time it stayed in his mind . . . well, like a photograph.

There were clothes: a baseball jacket, several pairs of jeans, T-shirts. A pair of Rollerblades, a Tintin rocket, a paper lampshade. Lots of books; paperbacks and a brand-new English dictionary. About twenty CDs— mainly pop, a Sony Walkman, a guitar, a box of water-color paints, a Ouija board, a Game Boy . . . . . . and a camera.

Matthew reached out and grabbed the camera. He was already aware that a small crowd had gathered behind him and more hands were reaching past him to snatch items out of the trunk. The man who had driven the car didn’t move. Nor did he show any emotion. He had a round face with a small mustache and he looked fed up. He didn’t want to be there in Crouch End, at the car-trunk sale. Everything about him said it.
“I’ll give you a tenner for this,” someone said.

Matthew saw that they were holding the baseball jacket. It was almost new and must have been worth at least fifty dollars.
“Done,” the man said. His face didn’t change.
Matthew turned the camera over in his hands. Unlike the jacket, it was old, probably bought secondhand, but it seemed to be in good condition. It was a Pentax—but the X on the casing had worn away. That was the only sign of damage. He held it up and looked through the viewfinder. About twenty feet away, a woman was holding up the horrible pink cardigan he had noticed earlier. He focused and felt a certain thrill as the powerful lens seemed to carry him forward so that the cardigan now filled his vision. He could even make out the buttons—silvery white and loose. He swiveled around, the cars and the crowd racing across the viewfinder as he searched for a subject. For no reason at all he focused on a large bedroom mirror propped up against another car. His finger found the shutter release and he pressed it. There was a satisfying click; it seemed that the camera worked. And it would make a perfect present. Only a few months before, his dad had been complaining about the pictures he’d just gotten back from their last vacation in France. Half of them had been out of focus and the rest had been so overexposed that they’d made the Loire Valley look about as enticing as the Gobi Desert on a bad day.

“It’s the camera,” he’d insisted. “It’s worn-out and useless. I’m going to get myself a new one.”
But he hadn’t. In one week’s time he was going to be fifty years old. And Matthew had the perfect birthday present right in his hands. How much would it cost? The camera felt expensive. For a start it was heavy. Solid. The lens was obviously a powerful one. The camera didn’t have an automatic rewind, a digital display, or any of the other things that came as standard these days. But technology was cheap. Quality was expensive. And this was undoubtedly a quality camera.

“Will you take ten dollars for this?” Matthew asked. If the owner had been happy to take so little for the baseball jacket, perhaps he wouldn’t think twice about the camera. But this time the man shook his head.
“It’s worth a hundred at least,” he said. He turned away to take twenty dollars for the guitar. It had been bought by a young black woman who strummed it as she walked away.
“I’ll have a look at that . . .” A thin, dark-haired woman reached out to take the camera, but Matthew pulled it back. He had three twenty-dollar bills in his back pocket. Twelve weeks’ worth of shoe cleaning, car washing, and generally helping around the house. He hadn’t meant to spend all of it on his dad. Perhaps not even half of it.
“Will you take forty dollars?” he asked the man. “It’s all I’ve got,” he lied.
The man glared at him, then nodded. “Yes. That’ll do.”

Matthew felt a surge of excitement and at the same time a sudden fear. A hundred-dollar camera for forty bucks? It had to be broken. Or stolen. Or both. But then the woman opened her mouth to speak and Matthew quickly found his money and thrust it out. The man took it without looking pleased or sorry. He simply folded the notes and put them in his pocket as if the payment meant nothing to him.
“Thank you,” Matthew said.
The man looked straight at him. “I just want to get rid of it,” he said. “I want to get rid of it all.”
“Who did it belong to?”
The man shrugged. “Students,” he said—as if the one word explained it all. Matthew waited. The crowd had separated, moving on to the other stalls, and for a moment the two of them were alone. “I used to rent a couple of rooms,” the man explained. “Art students. Three of them. A couple of months ago they disappeared. Just took off—owing two months’ rent. Well, what do you expect! I’ve tried to find them, but they haven’t had the decency to call. So my wife told me to sell some of their stuff. I didn’t want to. But they’re the ones who owe me. It’s only fair . . .”
A plump woman pushed between them, snatching up a handful of the Tshirts. “How much for these?” The sun was still shining but suddenly Matthew felt cold.

. . . they disappeared . . .

Why should three art students suddenly vanish, leaving all their gear, including a hundred-dollar camera, behind? The landlord obviously felt guilty about selling it. Was Matthew doing the right thing, buying it? Quickly he turned around and hurried away, before either of them changed their mind. He had just stepped through the gates and reached the street when he heard it: the unmistakable sound of shattering glass. He turned around and looked back and saw that the bedroom mirror he had just photographed with the new camera had been knocked over. At least, he assumed that was what had happened. It was lying facedown, surrounded by splinters of glass.

The owner—a short, stocky man with a skinhead haircut—bounded forward and grabbed hold of a man who had just been passing. “You knocked over my mirror!” he shouted.
“I never went near it.” The man was younger, wearing jeans and a Star Wars T-shirt.
“I saw you! That’ll be five bucks—”
“Get lost!”
And then, even as Matthew watched, the skinhead drew back his fist and lashed out. Matthew almost heard the knuckles connect with the other man’s face. The second man screamed. Blood gushed out of his nose and
dripped down onto his T-shirt. Matthew drew the camera close to his chest, turned, and hurried away.
“It must be stolen,” Elizabeth King said, taking the camera.
“I don’t think so,” Matthew said. “I told you what he said!”
“What did you pay for it?” Jamie asked. Jamie was his younger brother.
Three years younger and wildly jealous of everything he did.
“None of your business,” Matthew replied.
Elizabeth pushed a lever on the camera with her fingernail and the back sprang open. “Oh, look!” she said. “There’s film in here.” She tilted the camera back and a Kodak cartridge fell into the palm of her hand. “It’s used,” she added.
“He must have left it there,” Jamie said.
“Maybe you should get it developed,” Elizabeth suggested. “You never know what you’ll find.”
“Boring family snapshots,” Matthew muttered.
“It could be porn!” Jamie shouted.
“Grow up, moron!” Matthew sighed.
“You’re such a nerd . . . !”
“Retard . . .”
“Come on, boys. Let’s not quarrel!” Elizabeth handed the camera back to Matthew. “It’s a nice present,” she said. “Chris will love it. And he doesn’t need to know where you got it . . . or how you think it got there.”

Christopher King was an actor. He wasn’t famous, although people still recognized him from a coffee commercial he’d done two years before, but he always had work. In this, the week before his fiftieth birthday, he was appearing as Banquo in Shakespeare’s Macbeth (“the Scottish play,” he called it—he said it was bad luck to mention the piece by name). He’d been murdered six nights—and one afternoon—a week for the past five weeks and he was beginning to look forward to the end of the run.

Both Matthew and Jamie liked it when their father was in a London play, especially if it coincided with summer vacation. It meant they could spend quite a bit of the day together. They had an old Labrador, Polonius, and the four of them would often go out walking on Hampstead Heath. Elizabeth King worked part-time in a dress shop, but if she was around she’d come, too. They were a close, happy family. The Kings had been married for twenty years.

Secretly, Matthew was a little shocked about how much money he had spent on the camera, but by the time the birthday arrived, he had managed to put it behind him and he was genuinely pleased by his father ’s reaction.
“It’s great!” Christopher exclaimed, turning the camera in his hands. The family had just finished breakfast and were still sitting around the table in the kitchen. “It’s exactly what I wanted. Automatic exposure and a light meter! Different apertures . . .” He looked up at Matthew, who was beaming with pleasure. “Where did you get it from, Matt? Did you rob a bank?”
“It was secondhand,” Jamie announced.
“I can see that. But it’s still a great camera. Where’s the film?”
“I didn’t get any, Dad . . .” Matthew remembered the film he’d found in the camera. It was on the table by his bed. Now he cursed himself. Why hadn’t he thought to buy some new film? What good was a camera without
film?
“You haven’t opened my present, Dad,” Jamie said.
Christopher put down the camera and reached for a small, square box, wrapped in Power Rangers paper. He tore it open and laughed as a box of film tumbled onto the table. “Now that was a great idea,” he exclaimed.
Cheapskate, Matthew thought, but wisely said nothing.
“Now, how does it go in . . . ?”
“Here. Let me.” Matthew took the camera from his father and opened the back. Then he tore open the box and started to lower the film into place. But he couldn’t do it. He stopped.
And slid into the nightmare.

It was as if his family—Christopher and Elizabeth sitting at the breakfast table, Jamie hovering at their side—had become a photograph themselves.
Matthew was suddenly watching them from outside, frozen in another world. Everything seemed to have stopped. At the same time he felt something that he had never felt in his life—a strange tingling at the back of his neck as, one after another, the hairs stood on end. He looked down at the camera, which had become a gaping black hole in his hands. He felt himself falling, being sucked into it. And once he was inside, the back of the camera would be a coffin lid that would snap shut, locking him in the terrible darkness . . .
“Matt? Are you all right?” Christopher reached out and took the camera, breaking the spell, and Matthew realized that his whole body was trembling. There was sweat on his shoulders and in the palms of his hands. What had happened to him? What had he just experienced?
“Yes. I’m . . .” He blinked and shook his head.
“Are you getting a summer cold?” his mother asked. “You’ve gone quite pale.”
“I . . .”
There was a loud snap. Christopher held up the camera. “There! It’s in!”
Jamie climbed onto his chair and stuck one leg out like a statue, showing off. “Take me!” he called out. “Take a picture of me!”
“I can’t. I haven’t got a flash.”
“We can go out in the garden!”
“There’s not enough sun.”
“Well, you’ve got to take something, Chris,” Elizabeth said.
In the end, Christopher took two pictures. It didn’t matter what the subjects were, he said. He just wanted to experiment. First of all, he took a picture of a tree, growing in the middle of the lawn. It was the cherry tree that Elizabeth had planted while he was appearing in Chekhov’s The Cherry Orchard just after they were married. It had flowered every year since. And then, when Jamie had persuaded Polonius, the Labrador, to waddle out of his basket and into the garden, Christopher took a picture of him as well.

Matthew watched all this with a smile but refused to take part. He was still feeling sick. It was as if he had been half-strangled or punched in the pit of his stomach. He reached out and poured himself a glass of apple juice. His mother was probably right. He must be coming down with flu. But he forgot about it later when two more actors from “the Scottish play” stopped over and they all went out for an early lunch. After that, Christopher caught a bus into town—it was a Wednesday and he had to be at the theater by two—and Matthew spent the rest of the afternoon playing computer games with Polonius asleep at the foot of his bed. It was two days later that his mother noticed it.
“Look at that!” she exclaimed, gazing out of the kitchen window.
“What’s that?” Christopher had been sent a new play and he was reading
it before his audition.
“The cherry tree!”

Matthew walked over to the window and looked out. He saw at once what his mother meant. The tree was about ten feet tall. Although the best of the blossom was over, it had already taken on its autumn colors, a great burst of dark red leaves fighting for attention on the delicate branches. At least, that was how it had been the day before. Now the cherry tree was dead. The branches were bare, the leaves brown and shriveled, scattered over the lawn. Even the trunk seemed to have turned gray and the whole tree was bent over like a sick, old man.
“What’s happened?” Christopher opened the kitchen door and walked out into the garden. Elizabeth followed him. He reached the tree and scooped up a handful of the leaves. “It’s completely dead!” he exclaimed.
“But a tree can’t just . . . die.” Matthew had never seen his mother look
so sad and he suddenly realized that the cherry must have been more than a tree to her. It had grown alongside her marriage and her family. “It looks as if it’s been poisoned!” she muttered.
Christopher dropped the leaves and wiped his hand on his sleeve.
“Perhaps it was something in the soil,” he said. He pulled Elizabeth toward him. “Cheer up! We’ll plant another one.”
“But it was special. The Cherry Orchard . . .”
Christopher put an arm around his wife. “At least I took a picture of it,” he said. “It means we’ve got something to remember it by.”

The two of them went back into the house, leaving Matthew alone in the garden. He reached out and ran a finger down the bark of the tree. It felt cold and slimy to the touch. He shivered. He had never seen anything that
looked quite so . . . dead. At least I took a picture of it . . . Christopher’s words echoed in his mind. He suddenly felt uneasy—but he didn’t know why.

The accident happened the next day.
Matthew wasn’t up yet. Lying in bed, he heard first the sound of the front door crashing open—too hard—and then the voices echoing up the stairs toward him.
“Liz! What is it? What’s the matter?”
“Oh, Chris!” Matthew froze. His mother never cried. Never. But she was crying now. “It’s Polonius . . .”
“What happened?”
“I don’t know! I don’t understand it!”
“Lizzie, he’s not . . .”
“He is. I’m sorry. I’m so sorry . . .” That was all she could say. In the kitchen, Christopher made tea and listened to the cold facts. Elizabeth had walked down into Crouch End to get the newspaper and mail some letters. She had taken Polonius with her. As usual, the Labrador had padded after her. She never put him on a leash. He was well trained. He never ran into the road, even if he saw a cat or a squirrel. The truth was that, at nearly twelve years old, Polonius hardly ever ran at all.

But today, for no reason, he had suddenly walked off the sidewalk. Elizabeth hadn’t even seen him until it was too late. She had opened her mouth to call his name when the Land Rover had appeared, driving too fast around the corner. All the cars drove too fast on Wolseley Road. Elizabeth had closed her eyes at the last moment. But she had heard the yelp, the terrible thump, and she had known that Polonius could not have survived. At least it had been quick. The driver of the Land Rover had been helpful and apologetic. He had taken the dog to the vet . . . to be buried or cremated or whatever. Polonius was gone. He had been with the family since he was a puppy and now he was gone.

Lying in bed, Matthew listened to his parents talking, and although he didn’t hear all of it, he knew enough. He rested his head on the pillow, his eyes brim ming with tears. “You took a picture of him,” he muttered to himself. “A picture is all we have left.”
And that was when he knew.

At the car-trunk sale, Matthew had taken a picture of a mirror. The mirror had smashed. His father had taken a picture of the cherry tree. The cherry tree had died. Then he’d taken a picture of Polonius . . .

Matthew turned to one side, his cheek coming into contact with the cool surface of the pillow. And there it was, where he had left it, on the table by his bed. The film that he had found inside the camera when he bought it. The film that had already been exposed.
That afternoon, he took it to the drugstore and had it developed. There were twenty-four pictures in the packet. Matthew had bought himself a Coke in a café in Crouch End and now he tore the packet open, letting the glossy pictures slide out onto the table. For a moment he hesitated. It felt wrong, stealing this glimpse into somebody else’s life . . . like a Peeping Tom. But he had to know. The first ten pictures only made him feel worse. They showed a young guy, in his early twenties, and somehow Matthew knew that this was the owner of the camera. He was kissing a pretty blond girl in one picture, throwing a baseball in another. Art students. Three of them . . .

The man at the car-trunk sale had rented part of his house to art students. And this must be them. Three of them. The camera owner. The blond girl.
And another guy, thin, with long hair and uneven teeth. Matthew shuffled quickly through the rest of the pictures. An exhibition of paintings. A London street. A railway station. A beach. A fishing boat. A house . . .
The house was different. It was like nothing Matthew had ever seen before. It stood, four stories high, in the ruins of a garden, slanting out of a tangle of nettles and briars with great knife blades of grass stabbing at the brickwork. It was obviously deserted, empty. Some of the windows had been smashed. The black paint was peeling in places, exposing brickwork that glistened like a suppurating wound. Closer. A cracked gargoyle leered at the camera, arching out over the front door. The door was a massive slab of oak, its iron knocker shaped like a pair of baby’s arms with the hands clasped.

Six people had come to the house that night. There was a picture of them, grouped together in the garden. Matthew recognized the three students from art school. Now they were all dressed in black shirts, black jeans. Two more men and another girl, all about twenty, stood behind them. One of the men had raised his arms and was grimacing, doing a vampire impersonation. They were all laughing. Matthew wondered if a seventh person had taken the picture or if it had been set to automatic. He turned over the next photograph and was taken into the house. Click. A vast entrance hall. Huge flagstones and, in the distance, the rotting bulk of a wooden staircase twisting up to nowhere. Click. The blond girl drinking red wine. Drinking it straight from the bottle. Click. A guy with fair hair holding two candles. Behind him another guy holding a paintbrush. Click. The flagstones again, but now they’ve painted a white circle on them and the guy with fair hair is adding words. But you can’t read the words. They’ve been wiped out by the reflection from the flash. Click. More candles. Flickering now. Placed around the circle. Three members of the group holding hands. Click. They’re naked! They’ve taken off their clothes.

Matthew can see everything, but at the same time he sees nothing. He doesn’t believe it. It’s madness . . .
Click. A cat. A black cat. Its eyes have caught the flash and have become two pinpricks of fire. The cat has sharp, white teeth. It is snarling, writhing in the hands that hold it. Click. A knife. Matthew closed his eyes. He knew now what they were doing. At the same time he remembered the other object that the man had been selling at the car-trunk sale. He had noticed it at the time but hadn’t really thought about it. The Ouija board. A game for people who like to play with things they don’t understand. A game for people who aren’t afraid of the dark. But Matthew was afraid.

Sitting there in the café with the photographs spread out in front of him, he couldn’t bring himself to believe it. But there could be no escaping the truth. A group of students had gone to an abandoned house. Perhaps they’d taken some sort of book with them; an old book of spells . . . they could have found it in an antiques shop. Matthew had once seen something like that in the shop where his mother worked: an old, leather-bound book with yellowing pages and black, splattery handwriting. A grimoire, she’d called it. The people in the photograph must have found one somewhere, and tired of the Ouija board, they’d decided to do something more dangerous, more frightening. To summon up...
What?
A ghost? A demon?

Matthew had seen enough horror films to recognize what the photographs showed. A magic circle. Candles. The blood of a dead cat. The six people had taken it all very seriously—even stripping naked for the ritual. And they had succeeded. Somehow Matthew knew that the ritual had worked. That they had raised . . . something. And it had killed them. They disappeared. Just took off . . .

The man at the car-trunk sale had never seen them again. Of course they’d returned to his house, to wherever it was they rented. If they hadn’t gone back, the camera would never have been there. But after that, something must have happened. Not to one of them. But to all of them.

The camera . . .

Matthew looked down at the prints. He had worked his way through the pile, but there were still three or four pictures left. He reached out with his fingers to separate them, but then stopped. Had the student who owned the camera taken a picture of the creature, the thing, whatever it was they had summoned up with their spells? Was it there now, on the table in front of him? Could it be possible . . . ?

He didn’t want to know. Matthew picked up the entire pile and screwed them up in his hands. He tried to tear them but couldn’t. Suddenly he felt sick and angry. He hadn’t wanted any of this. He had just wanted a birthday present for his father and he had brought something horrible and evil into the house. One of the photographs slipped through his fingers and . . .
. . . something red, glowing, two snake eyes, a huge shadow . . .

. . . Matthew saw it out of the corner of his eye even as he tried not to look at it. He grabbed hold of the picture and began to tear it, once, twice, into ever-smaller pieces.

“Are you all right, love?”
The waitress had appeared from nowhere and stood over the table looking down at Matthew. Matthew half smiled and opened his hand, scattering fragments of the photograph. “Yes . . .” He stood up. “I don’t want these,” he said.
“I can see that. Shall I put them in the trash for you?”
“Yes. Thanks . . .”
The waitress swept up the crumpled photographs and the torn pieces and carried them over to the trash can. When she turned around again, the table was empty. Matthew had already gone.

Find the camera. Smash the camera. The two thoughts ran through his mind again and again. He would explain it to his father later. Or maybe he wouldn’t. How could he tell him what he now knew to be true? “You see, Dad, this guy had the camera and he used it in some sort of black-magic ritual. He took a picture of a demon and the demon either killed him or frightened him away and now it’s inside the camera. Every time you take a picture with the camera, you kill whatever you’re aiming at. Remember the cherry tree? Remember Polonius? And there was this mirror, too . . .”

Christopher would think he was mad. It would be better not even to try to explain. He would just take the camera and lose it. Perhaps at the bottom of a canal. His parents would think someone had stolen it. It would be better if they never knew.

He arrived home. He had his own keys and let himself in. He knew at once that his parents had gone out. The coats were missing in the hall, and apart from the sound of vacuuming coming from upstairs, the house felt empty. As he closed the front door, the sound of the vacuum cleaner stopped and a short, round woman appeared at the top of the stairs. Her name was Mrs. Bayley and she came in twice a week to help Elizabeth with the cleaning.

“Is that you, Matthew?” she called down. She relaxed when she saw him.
“You mom said to tell you she’d gone out.”
“Where did she go?” Matthew felt the first stirrings of alarm.
“Your dad took her and Jamie up to Hampstead Heath. And that new camera you bought him. He said he wanted to take their picture . . .”

And that was it. Matthew felt the floor tilt underneath him and he slid back, his shoulders hitting the wall. The camera. Hampstead Heath. Not Mom! Not Jamie!

“What’s the matter?” Mrs. Bayley came down the stairs toward him.
“You look like you’ve seen a ghost!”
“I have to go there!” The words came out as a gabble. Matthew forced himself to slow down. “Mrs. Bayley. Have you got your car? Can you give me a lift?”
“I still haven’t done the kitchen . . .”
“Please! It’s important!”

There must have been something in his voice. Mrs. Bayley looked at him, puzzled. Then she nodded. “I can take you up if you like. But the Heath’s a big place. I don’t know how you’re going to find them . . .”
She was right, of course. The Heath stretched all the way from Hampstead to Highgate and down to Gospel Oak, a swath of green that rose and fell with twisting paths, ornamental lakes, and thick clumps of woodland. Walking on the Heath, you hardly felt you were in London at all, and even if you knew where you were going, it was easy to get lost. Where would they have gone? They could be anywhere. Mrs. Bayley had driven him down from Highgate in her rusting Fiat Panda and was about to reach the first main entrance when he saw it, parked next to a bus stop. It was his father’s car. There was a sticker in the back window—LIVE THEATER MAKES LIFE BETTER—and the bright red letters jumped out at him. Matthew had always been a little embarrassed by that stupid line. Now he read the words with a flood of relief.

“Stop here, Mrs. Bayley!” he shouted.
Mrs. Bayley twisted the steering wheel and there was the blare of a horn from behind them as they swerved into the side of the road. “Have you seen them?” she asked.
“Their car. They must be up at Kenwood . . .”
Kenwood House. It was one of the most beautiful sights of the Heath; a white, eighteenth-century building on a gentle rise, looking down over a flat lawn and a lake. It was just the sort of place where Christopher might have
gone for a walk . . .

Gone to take a picture.

Matthew scrambled out of the car, slamming the door behind him. Already he could imagine Elizabeth and Jamie with their backs to the house. Christopher standing with the camera. “A little closer. Now smile . .
.” His finger would stab downward—and then what? Matthew remembered the cherry tree, colorless and dead. Polonius, who had never stepped into the road before. The mirror, smashing at the car-trunk sale. A gush of blood from the fight it had provoked. Even as he ran along the pavement and swung through the first entrance to the Heath, he wondered if he wasn’t mad, if he hadn’t imagined the whole thing. But then he remembered the pictures: the empty house, the candles. The shadow. Two burning red eyes . . .

And Matthew knew that he was right, that he had imagined none of it, and that he had perhaps only minutes in which to save his father, his mother, his younger brother. If it wasn’t too late already.

Christopher, Elizabeth, and Jamie weren’t at Kenwood. They weren’t on the terrace, or on the lawn. Matthew ran from one end of the house to the other, pushing through the crowds, ignoring the cries of protest. He thought he saw Jamie in the ornamental gardens and pounced on him—but it was another boy, nothing like his brother. The whole world seemed to have smashed (like the mirror at the car-trunk sale) as he forced himself on, searching for his family. He was aware only of the green of the grass, the blue of the sky, and the multicolored pieces, the unmade jigsaw, of the people in between.

“Mom! Dad! Jamie!” He shouted their names as he ran, hoping against hope that if he didn’t see them, they might hear him. He was half-aware that people were looking at him, pointing at him, but he didn’t care. He swerved around a man in a wheelchair. His foot came down in a bed of flowers. Somebody shouted at him. He ran on.

And just when he was about to give up, he saw them. For a moment he stood there, his chest heaving, the breath catching in his throat. Was it really them, just standing there? They looked as if they had been waiting for him all along.
But had he reached them in time?
Christopher was holding the camera. The lens cap was on. Jamie was looking bored. Elizabeth had been talking, but seeing Matthew, she broke off and gazed at him, astonished.

“Matthew . . . ?” She glanced at Christopher. “What are you doing here?
What’s the matter . . . ?”

Matthew ran forward. It was only now that he realized he was sweating, not just from the effort of running but from sheer terror. He stared at the camera in his father ’s hand, resisting the impulse to tear it away and smash it. He opened his mouth to speak, but for a moment no words came. He forced himself to relax.

“The camera . . .” he rasped.
“What about it?” Christopher held it up, alarmed.

Matthew swallowed. He didn’t want to ask the question. But he had to.
He had to know. “Did you take a picture of Mom?” he asked.
Christopher King shook his head. “She wouldn’t let me,” he said.
“I’m too much of a mess,” Elizabeth added.
“What about Jamie?”
“What about me?”
Matthew ignored him. “Did you take a picture of him?”
“No.” Christopher smiled, perplexed. “What is all this, Matthew? What’s the matter?”
Matthew held up his hands. “You haven’t taken a picture of Jamie? You haven’t taken a picture of Mom?”
“No.”
Then—the horrible thought. “Did you let them take a picture of you?”
“No.” Christopher laid a hand on Matthew’s shoulder. “We only just got here,” he said. “We haven’t taken any pictures of each other. Why is it so important anyway? What are you doing here?” Matthew felt his knees go weak. He wanted to sink onto the grass. He felt the breeze rippling past his cheeks and a great shout of laughter welled up inside him. He had arrived in time. Everything was going to be all right. Then Jamie spoke. “I took a picture,” he said. Matthew froze.
“Dad let me!”
“Yes.” Christopher smiled. “It’s the only picture we’ve taken.”
“But . . .” Just four words. But once they were spoken, his life would never be the same. “What did you take?”
Jamie pointed. “London.”
And there it was. The entire city of London. They were standing on a hill and it lay there, spread out before them. You could see it all from here. St. Paul’s Cathedral. The Post Office Tower. Nelson’s Column. Big Ben. That’s why the Kings had come here. For the view.
“London . . . ?” Matthew’s throat was dry.
“I got a great picture.”
“London . . . !”
The sun had disappeared. Matthew stood watching as the clouds closed in and the darkness rolled toward the city.
 
Last edited:

lone_hunterr

Titanus Ghidorah
3,829
5,442
159
Ristrcted Indian Princess Rahul
Guys... new tale is posted... It is again based on london... I am thinking of keeping the city and culture same...
Next tale possibly in 3-4 days
 
Top